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MTV2 has taken notice of the band and is featuring Soilwork on its hard rock program. Vocalist Bjorn “Speed” Strid has opted to mix a little singing in with his growls and screams, giving “Figure Number Five” not only a less contentious feel, but also one that’s more likely to connect with a wider audience. “Figure Number Five,” released by Nuclear Blast, sees the death-metal act softening it sound, albeit slightly. “Figure Number Five,” the sextet’s fifth release, entered at No. Just a few weeks after Opeth reached a new career peak on Billboard’s charts, the Swedish act Soilwork made its debut on the Heatseekers tally. Yet the country’s metal scene has also been making an impact on American charts, even if the mainstream press has yet to catch on. GRIME AND GRIND: Swedish rock acts such as the Hives, the Sounds, and the Soundtrack of Our Lives have benefited from some major hype in recent years. 2 on the Top Contemporary Jazz Albums tally. 23 on Billboard’s Heatseekers chart, and landed at No. The diversity has earned the artist a following outside of the jazz community, and made “Salt” one of the more highly anticipated debuts of the spring. In addition to reflecting her gospel influences, “Salt” sees Wright singing over soul and Latin backdrops, and features a wide-range of repertoire, from Chick Corea and Neville Potter’s “Open Your Eyes, You Can Fly” to “Soon As I Get Home,” from the Broadway production “The Wiz.” Verve Records released her debut, “Salt,” two weeks ago, and the set has already earned the artist comparisons to Jill Scott and Norah Jones. People outside the South started to take notice when Wright appeared on Joe Sample’s 2002 album “The Pecan Tree” (Universal). Once there, she snared a gig as a vocalist in local group In the Spirit, and became one of the city’s more acclaimed young singers. Her enthusiasm resulted in her decision to pursue a singing career by studying music at Atlanta’s Georgia State University. I just knew that it sounded exciting to me.” “I didn’t even know that the music was jazz. “The little jazz I heard came from outside my home because I was not allowed to listen to jazz,” Wright recently told Billboard.
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Wright also has an affinity for jazz, which she discovered independently of her father. Not surprisingly, the work of the 23-year-old Georgia native features a heavy gospel slant. He was the musical director of the family’s local church, where he often encouraged his daughter to perform. SOMETHING WRIGHT: Jazzy R&B vocalist Lizz Wright has her father to thank for inspiring her to sing. The band’s 2001 album, “From Here to Infirmary,” spent only one week on The Billboard 200, and never rose above No. 20 on The Billboard 200 last week after selling 40,000 copies in the U.S., according to Nielsen SoundScan. The move is paying off, as “Good Mourning” sees the band amping-up its choruses and sharpening its melodies.įans seem to be pleased as well. The group recently relocated to Oakland, where it worked on “Good Mourning” with the Blink-182 production team of Joe McGrath and Jerry Finn. It’s an off-kilter lyrical approach that’s made the Alkaline Trio stand out from its pop-punk brethren. “You took me hostage and made your demands, I couldn’t meet them so you cut off my fingers,” he yells with a slight smoker’s rasp. In the song, Skiba sadistically imagines his own murder at the hands of a jilted lover. Take “This Could Be Love,” which opens “Good Mourning” with fire-alarm guitars and a smattering of foreboding church bells.
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Like the Misfits, the Alkaline Trio transfers its punk anthems to a cartoon-like world inhabited by horror movie caricatures. “Ain’t nothing on the air waving the despair we feel,” Skiba sings in the fist raising “We’ve Had Enough.” The song is a pogo-inducing indictment of corporate radio that references the B-movie punk of the Misfits. Vocalist Matt Skiba has never been shy in interviews about his desire for rock stardom, and on the band’s “ Good Mourning,” released earlier this month via Vagrant Records, the band sounds determined to achieve its goal. The group sprang out of Chicago with the tunefulness of such local favorites as the Smoking Popes and Screeching Weasel, and since its 1998 debut has built a rabid fanbase in the Midwest. LIGHTING UP: Underground pop-punk act the Alkaline Trio has been on the verge of breaking into the mainstream for a couple years. A look at the latest acts that are breaking at radio and retail and entering the Billboard charts.